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The Bulletin of the Adyghe State University, the series "Philology and the Arts" |
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#2 / 2025FolkloristicsIsmail A. Kerimov, Esma E. SeferovaARTISTIC AND LANGUAGE DEVICES OF CRIMEAN TATAR NOVELISTIC FAIRY TALES
The artistic and linguistic devices of novelistic fairy tales are examined. Three main stylistic currents in constant interaction with each other are identified: folk-poetic style, romantic, and realistic. A characteristic feature of novelistic fairy tales is noted – the emotional intensity of artistic thinking, which entails such properties of poetic style as dynamism, tendency toward contrasts, tautologies, and aphoristic genres. The work examines and compares various viewpoints of domestic and foreign scholars on the sources of stylistic diversity formation in novelistic fairy tales.
ISSUES OF STUDYING THE HISTORY OF IMPROVISATIONAL CREATIVITY OF CRIMEAN TATAR STORYTELLERS
The article considers the continuity patterns of the storytelling tradition of the Crimean Tatar storytellers. The article analyzes the image of a keday (storyteller) as a folklore bearer and the peculiarities of narrative manner, methods of using traditional text and poetics. The interrelation of the triad creative personality-culture-society is revealed. In conclusion, attention is focused on the fact that improvised performances of storytellers represent a synthetic art form that combines such genres as choreography, music, and dramaturgy. It is noted that epic knowledge and traditions constitute an objective factor in the formation of a storyteller, while memory, artistic abilities, and improvisational talent represent subjective factors.
RUSSIAN LITERATURE AND THE LITERATURE OF THE ETHNIC GROUPS OF THE RUSSIAN FEDERATIONKutas N. ParanukETHNOPOETIC CONSTANTS IN THE LYRICAL DISCOURSE OF THE POETRY OF ISKHAK MASHBASH
The article examines the ethnopoetic component of Iskhak Mashbash's lyrical poetry. The influence of oral-poetic tradition on the formation of the ethnopoetic layer in I. Mashbash's poetry is analyzed. The study investigates the leading ethnopoetic constants of the national poetic cosmos – mountains, earth, horse, hearth, Adyghe horseman, Nart heroes, Adyghe melodies, dances, customs and traditions – as elements of Adyghe ethnic mentality and ethnobeing, determining their role and functions in forming the national worldview in poetry. The character and degree of national identity of the heroes, their worldview and world perception are revealed. The conclusion is drawn about the poet's close connection with folk poetry and folklore, about the original creative assimilation of their traditions, and about the saturation of I. Mashbash's poetic text with significant ethnospiritual constants and symbols that form a vivid, highly artistic national image of the world.
VYACHESLAV IVANOV: RECONCEPTUALIZING THE DIALECTICS OF TRAGEDY
The article examines opposing viewpoints on the problem of the genealogy of the tragedy genre and its deviation from the original developmental vector established by the so-called cultic source of the genre's protoform. This issue is usually analyzed within the framework of literary studies and does not extend beyond its boundaries. The genre category is considered as a subject not so much of literary research as of philosophical-literary investigation, while the genesis of the genre is examined based on Vyacheslav Ivanov's works on Dionysianism.
THE THEORY OF LITERATUREUchuzhuk M. Panesh, Yuliya A. AshinovaEVOLUTION OF GENRE FORMS OF WAR-THEMED PROSE IN NATIONAL LITERARY ART OF THE 1960S-1980S (BASED ON ADYGHE LITERATURES)
The article examines the formation of genre forms of war-themed prose in Adyghe literatures of the 1960s-1980s. The study analyzes the intensification of problematic issues and the deepening of artistic conception of personality in the works of Adyghe, Kabardian, and Circassian writers. The content and nature of conflict organization, which influences the structural and stylistic features of the works, are examined. The research identifies features of prose development that reflected general typological tendencies determining the formation of national literature: large-scale and comprehensive depiction of military events on one hand, and artistically concentrated analysis of the theme based on relatively limited life material on the other. The demonstration of the distinctive development of prose in three national literatures is conducted within the context of the all-Russian artistic and aesthetic process, which allows for illuminating theoretical problems of literary epoch formation in the 20th century.
THEORETICAL, APPLIED AND COMPARATIVE AND CONTRASTIVE LINGUISTICSAlla V. GutnikovàTHE SEMANTICS OF SUFFIXLESS VERBAL NOUNS (BASED ON MIDDLE HIGH GERMAN AND MODERN GERMAN LANGUAGES)
The article examines the lexical and semantic groups of suffixless nouns in Middle High German and Modern German. The scientific novelty of the article lies in the consideration of the semantic structure of derivatives based on the valence and semantic characteristics of the motivating verb. This approach makes it possible to establish a link between the producing and derivative bases. The formulas of interpretation of the motivating verb enable to determine the function of these deverbatives. Quantitative analysis permits to define the completeness of each of the lexico-semantic groups in a diachronic aspect.
VERBALIZATION OF THE CONCEPT OF 'TRUTH' IN THE WORKS OF A.P. CHEKHOV: BETWEEN EMOTIONS AND OBJECTIVITY
This article iaims to analyse the verbalization of the concept of "Truth" in the works of A.P. Chekhov. The foundation of this study is based on quotations from the author's texts, in which the meanings of this concept are examined and analyzed. Based on the analysis, key notions that influence the characterization of the concept of "Truth" in A.P. Chekhov's works are identified. It is demonstrated that Chekhov's perspective on truth reveals contradictions between emotions and objectivity. The analysis of quotations from Chekhov's works illustrates that the concept of "Truth" is particularly revealed in the conflicts and emotional experiences of the characters. In Chekhov's works, truth proves to be elusive, multifaceted, and even personal, prompting readers to reflect on their own views of truth.
FEATURES OF ADAPTATION OF ENGLISH ECONOMIC TERMS IN THE RUSSIAN LANGUAGE (BASED ON RUSSIAN MASS MEDIA)
The article examines the problem of linguistic adaptation of borrowed English economic terms in the Russian language in media discourse. Particular attention is paid to the analysis of linguistic strategies that ensure the integration of English economic terms into the Russian language. The main phonetic-graphic, grammatical, and semantic features of adaptation of English economic terms are identified and described: direct borrowing, calquing, grammatical adaptation, and semantic adaptation.
FUNCTIONAL ASPECT OF LEGAL LINGUISTICS: CONNECTION OF THE LEXEMES IN TRANSLATION
The study examines basic legal lexemes in Russian, English, German, Italian, and Chinese languages. The role of semantic universals and unique features of the internal form of legal terms is evaluated, and the question of motivation of semantic elements within them is analyzed. The research investigates the identity of the semantic foundation of legal vocabulary (in the domain of significate and pragmatics) across different linguocultures, as well as the capacity of terms to have lexical analogues in translation that establish "intersemantic" connections between languages.
SPACE AND TIME IN THE SYSTEM OF LITERARY TEXT MODELING (BASED ON GERMAN LANGUAGE)
The paper examines the problem of space and time functioning in literary texts. Spatial and temporal parameters are identified and described in terms of their role in organizing literary texts. The study substantiates the idea that space and time as meaning-forming concepts are significant in investigating the formation of a particular author’s literary text, revealing grammatical, lexical, and semantic features of a specific writer’s idiostyle. It is emphasized that space and time function in interconnection and interaction within literary texts, as they do in surrounding reality. It is noted that literary texts reflect the real world in accordance with spatio-temporal orientation in a given society. Special attention is paid to characterizing the categories of space and time.
LITERARY PROCESS IN THE DISCOURSE OF CHECHEN-INGUSH JOURNALISM IN THE 1920s–1930s
The article examines the issues of interconnection between the formation of Chechen-Ingush national journalism and literature, which remain still insufficiently studied in scholarly literature, while works published during the Soviet period suffer from a one-sided Marxist approach. The characteristic features and main trends in the development of the literary process in Chechen-Ingushetia within the discourse of local press in the 1920s-1930s are identified and described. An analysis is also made of the achievements and shortcomings in the Bolshevik party's activities regarding the organization of the literary process in national regions, and the negative aspect of political repressions against the national intelligentsia is demonstrated. New material on the researched topic is generalized, and publications in the journal "Na Pod'eme" ("On the Rise") are introduced into scholarly circulation for the first time, examining the peculiarities of literary processes in the national regions of the North Caucasus.
CONCEPTUALIZATION OF AGE IN LITERARY TEXT (BASED ON L. N. TOLSTOY'S TRILOGY "CHILDHOOD. BOYHOOD. YOUTH")
The article investigates the problem of studying the peculiarities of conceptualization of authorial artistic consciousness through the analysis of L. N. Tolstoy's trilogy "Childhood. Boyhood. Youth." It is clarified that the language of a literary work serves as a representation of the writer's individual author`s worldview; it is described that age conceptualization in literary text represents a process of comprehension and reflection of various stages of human life through language and imagery. Lexico-thematic groups reflecting the characteristics of individual periods in the protagonist's life are examined. Linguistic means representing the character's worldview, inner experiences, and personality evolution are identified. The connection between lexical units and the hero's emotional and psychological state at various stages of maturation is determined.
ON THE QUESTION OF CLARIFYING THE CONCEPT OF “POLITE DISCURSIVE PERSONALITY” IN MODERN LINGUISTICS
The article examines the concept of "polite discursive personality" in contemporary linguistics based on the analysis of speech act theory, discourse analysis, and politeness theory. The study substantiates the idea that a polite discursive personality is formed through the synthesis of linguistic, sociocultural, and pragmatic competencies, which enables adequate responses to communicative situations in various cultural and social contexts. As a result of analyzing contemporary research and theoretical approaches, key aspects defining a polite discursive personality have been identified, including the capacity for empathy, impression management, and adaptability in communication. The study also analyzes differences in politeness manifestations depending on cultural specificities and communicative context.
CURRENT TRENDS IN THE DEVELOPMENT OF TRANSLATION STUDIES IN THE CONTEXT OF DIGITALIZATION
The article examines the impact of digitalization on the development of translation studies, focusing on the modern tools of machine translation such as Google Translate, Yandex. Translator and Baidu Translate. The advent of machine learning technologies and neural networks is changing approaches to translation, increasing its speed and accessibility. However, this development brings new challenges, including accuracy issues and the preservation of cultural nuances. The study analyzes the current state of translation studies in the context of digitalization, evaluates the advantages and limitations of automated translation systems, and suggests directions for future research.
THE ARTISTIC FUNCTION OF INTERIOR MONOLOGUE IN SHERWOOD ANDERSON'S STORY «DEATH IN THE WOODS»
This paper examines the interior monologue as a unique form of artistic tool for revealing the character of a literary hero. Various manifestations of the interior monologue, its roles and methods of representation in Sherwood Anderson's work "Death in the Woods" are discussed. Four types of interior monologue are distinguished and described, each with its own characteristics, which emphasizes its importance for conveying complex emotions and thoughts. The study highlights that interior monologue shapes character development and contributes to plot advancement, lending authenticity and naturalness to conflicts. Furthermore, it is demonstrated that Sherwood Anderson particularly excelled in employing this technique, creating space for reader interpretation.
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