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The Bulletin of the Adyghe State University, the series "Philology and the Arts" |
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#1 / 2022ReviewsShadzhe A.Yu.ENERGY OF LIFE OR "...SOUL’S BEAUTIFUL IMPULSES" (REVIEW OF THE POETIC COLLECTION "PUZZLES" BY D. FIL)
In this review, I would like to say some words about the poetic collection "Puzzles" by D. Fil, a graduate of the Master's degree at the History Department of Adyghe State University, who is creatively thinking and fond of poetry. The author considers the significance of such spiritual phenomena as love, happiness, sense of life, etc., which contribute to understanding the joy of being, the complex and contradictory life of our time. The value of the work is that the author's lived life, a noticed, caught reality, confirming faith, hope and love..., pass through the entire collection. The practical significance is that the work gives hope for the necessary renewal of the soul and spirit of young people with life energy. I am sure that life values in poetry, the art of seeing and understanding beauty in the "other" will be conceived by people and contribute to rethinking different situations.
Study of ArtsBang KexinModern European Opera repertoire in the Musical and theatrical culture of China
The article deals with issues related to the development of the modern European opera repertoire in the musical and theatrical culture of China. One of the global problems of Chinese opera is the lack of a permanent repertoire. Modern opera performances are described, which for one reason or another have become interesting to the Chinese audience. The article also talks about the high appreciation of the performances of the Beijing Central Musical Theater not only in China, but also in Italy.
The art of playing the bamboo flute and its reflection in the artistic culture of the Tang Dynasty
The flute is a unique musical instrument that arouses interest among both future perform-ing musicians and listeners. Flute music during the Tang Dynasty (June 18, 618 - June 4, 907 AD) reached its peak in Chinese flute history. The shape and manufacture of the flute underwent great changes, and there were special records of large and small horizontal blowing concerning the methods of performance. Tang poetry reflected various aesthetic views of this musical instrument, from the appearance of the first flute to the emergence of various types of flutes. The article analyzes the formation of the art of playing the flute in the era of the Tang dynasty in the context of the development of musical aesthetics, as well as the structure of the bamboo flute and its influence on the development of music and art in China.
THE PERFORMING STYLE OF THE OUTSTANDING OF THE CHINESE PIANIST VANG YUJI ON THE EXAMPLE OF THE MUSIC OF F. CHOPIN, R. SCHUMANN, P.I. TCHAIKOVSKY
The purpose of the article is to study the performance style of the outstanding Chinese pianist Wang Yuji, who was born in 1987 in Beijing. The specificity of Yuji Wang's mastery is studied on the basis of audio recordings of her concert performances of music by F. Chopin, R. Schumann, P.I. Tchaikovsky. It is emphasized that the choice of these composers for art history analysis is dictated by the wide world fame of their piano opuses and the inclusion of the latter in the repertoire of many famous musicians. The author notes the originality of the personality of the Chinese pianist and the originality of her interpretations of the works of romantic composers and the musical heritage of P. I. Tchaikovsky. The article examines Yuji Wang's characteristic style of performance and analyzes her repertoire preferences.
F. BUSONI IN RUSSIA: TO THE QUESTION ABOUT THE MOSCOW PREMIERING OF THE OPERA HARLEQUIN, OR WINDOWS
The article deals with the premiere production of F. Busoni's opera “Harlequin, or Win-dows” (1913–1916). The author analyzes the director's idea and its implementation by the thea-ter's creative troupe. It is emphasized that the creation of F. Busoni (Moscow, 2022) shown on the stage of the “Helikon-Opera” finds points of contact with another production – the opera “The Great Deadviarch” (1973–1977) by D. Ligeti. Her show took place on the stage of the theater “Liceu” (Barcelona, 2011). The author examines the presence of parallels in the aesthetic views of the two artists, which equally clearly expose the vices of modern society. It is noted that a comparative analysis of the staging versions of both operas showed that with similar problems directly related to the modern socio-cultural situation, the Moscow production sins with second-ary visual techniques, revealing features of vulgarity and bad taste.
“Qu Yuan”: drama and opera
The article focuses on the personality of Qu Yuan (340–278 BC), who remains one of the brightest symbols of patriotism in the culture of the Celestial Empire even today. It is noted that Qu Yuan is known not only as the first lyric poet who was awarded the title of Chinese Pushkin, but also as a statesman who dared to reform, as well as a thinker with unique views. The author examines the points of similarity and difference between the play “Qu Yuan” and the opera of the same name. An art history analysis of the culmination of the opera, which is concentrated in Qu Yuan's solo “Ode to Thunder and Lightning”, is proposed. Attention is drawn to the fact that in 1954 the play “Qu Yuan” was staged on the stage of the theater. M. N. Ermolova in Moscow.
Literary CriticismAkhaeva M.A., Dzhambekova T.B.Features of the creative method of the Chechen poet Musbek Kibiev
Based on a review of existing scientific studies of M. Kibiev's work, it is argued that his artistic method did not receive full verification in national literary criticism. The poet's work is considered in the paradigm of the sixties poets’ searches and a hypothesis is proposed about a combination of romantic and symbolist tendencies in the creative manner of the Chechen poet. To confirm it, the structural and semantic features of a number of lyrical texts are analyzed. A comprehensive philological analysis of the lyrical text is carried out. The artistic method of M. Kibiev and the formation of a number of analytical approaches to the analysis of his poetry are determined, which can become part of a full-fledged model of literary interpretation of the poet's work.
The tragedy “Tirgatao” in the dramaturgy of Boris Utizhev (Genre features and stage fate)
This paper examines the issues of creative individuality, innovation, and genre features of the tragedy "Tirgatao" by Boris Utizhev (1940-2008), who during his lifetime was recognized as a classic of Kabardian drama. The tragedy "Tirgatao" opens the theme of the long-suffering history of the Adygs in the work of Boris Utizhev. It is part of a kind of trilogy together with the dramas "Damaley" and "Prince Kuchuk", although different characters act in these tragedies and actions take place in different epochs. A common theme runs through the plots of all three tragedies – finding out the reasons that led the Adygs to the division of the people, to their exodus in the 19th century to the Ottoman Empire, and from there to different countries of the Middle East and Europe. The works are also connected by a common idea - the unification of the Adygs and the development of their national culture. Considerable attention is devoted to the stage fate of the tragedy "Tirgatao" and the clarification of the reasons for the temporary ban related to the ideological press of the political figures of the republic of the time.
Structural-semantic and artistic features of Musa Beksultanov's story "It was not a joke"
The analysis of the structural, semantic and artistic features of M. Beksultanov's novel "It was not a joke" was made to reveal that the creative manner of the Chechen writer is implement-ed as a whole within the framework of the post-modernist paradigm. We propose a hypothesis that techniques of various artistic systems - realism, impressionism and existentialism - are syn-thesized in the style of the writer. This hypothesis was confirmed in the process of analyzing the structural and semantic features of the story. Trends in realism are manifested in addressing seri-ous socio-historical topics; the impressionistic manner manifests itself in the jerkiness of the characters' speech, in the understatement expressed through the technique of silence, and the writer's fascination with color; the existential hero is experiencing a borderline situation and al-ways makes decisions for which he will be responsible later. The study is based on structural-semantic and textual analysis. The scientific and practical significance of the paper lies in the lit-erary identification of the artistic method of M. Beksultanov, which enables one to make a com-prehensive philological analysis of his modern works. The main results and conclusions of this work are the definition and description of the method and characteristic features of the author's style of M. Beksultanov.
On the features of the artistic creativity of Saida Khunagova
The paper examines the peculiarities of Saida Khunagova's poetry, which reflects the features of domestic literature of the 1980-1990s. The authors determine the ideological and thematic originality, genre, structural and style features of the works included in various collections. Such meaningful features of poems as attention to the phenomenon of an individual, the complex nature of human consciousness, which influenced the poetic form of creative phenomena, are noted. Reliance on a comparative typological method allows us to clarify the connections of S. Khunagova's poetry with the general literature process of a new stage of its development, which deepens theoretical knowledge about the nature of the art of the word. The poet's creative search-es are analyzed in the context of national literature, which, according to the plan, gives an idea of the typological features of the modern artistic - aesthetic process.
Artistic reflection of the time category in the lyrics of Shaikhi Arsanukaev
The problem of identifying the peculiarities of artistic comprehension of the time category in the lyrics of the Chechen poet Shaikhi Arsanukaev is analyzed. In order to analyze the ideological and philosophical content of concepts marking the category of time, the idea is put forward about the significance of the philosophical understanding of the problem of "man and time" for the artistic method of the national poet. To justify the basic hypothesis, the main categories of time were identified, the features of their figurative embodiment were analyzed and their semantic and structural role in the lyrical texts of Sh. Arsanukaev was described. The study is based on textual analysis. The scientific and practical significance of the publication lies in identifying the role of the symbolic multi-mental category of time in the poet's artistic method, which allows expanding the directions of analysis of his lyrics. The main results and conclusions of this publication are the systematization and literary interpretation of one of the basic semantic points of the lyrics of the Chechen poet Sh. Arsanukaev - the category of time.
LinguisticsAdzinova F.S., Khabekirova Z.S.The intention of persuasion as the dominant of high-quality media discourse
The paper is devoted to the definition of the terminological content of the concept of "honest" journalism. The study presents a characteristic of certain content, which is designed for the corresponding addressee. The high-quality press and its educational, enlightening and up-bringing functions are analyzed. The publication also demonstrates a media stylistics, which has recently taken shape as a self-supporting discipline that studies a media text in new stylistic coor-dinates and is described using an intentional approach to the analysis of media texts of different genres.
Adyghean-Russian bilingualism on the Internet (sociolinguistic characteristics)
The paper analyzes the modern methods and techniques for researching mediated Internet communications of Russian-language forums representing both Russian and ethnocultural signs in oral and written bilingual media language of Internet users. Also, the speech behavior of the Adyghe bilingual in the Internet space in sociocultural conditions of national-Russian bilingualism and intercultural communication is analyzed. The publication presents the structure of virtual communication and linguistic parameters of the Russian speech of the Adyghe bilingual. An at-tempt is made to identify and describe cognitive processes in the language consciousness and pa-rameters of ethnocultural identity in the media language, as well as identify and analyze sociolinguistic characteristics of bilingual communication activity on Internet forums. The work deepens ideas about linguistic, cultural, and axiological preferences in conditions of bilingual communication using comparative and identification analysis of media speech.
Category of non-adultness in the Explanatory Dictionary of Living Great Russian Language by V.I. Dahl
The paper deals with the word-forming category of non-adultness, represented by two subcategories - with the meaning of names of babies and with the meaning of names of non-adult persons. The choice of the Dictionary of the Living Great Russian Language by V.I. Dahl as a material for the analysis made it possible to see the functioning of the category of non-adultness in the living language at a rather long historical stage. Also, we could identify the most productive word-forming types, which can serve as a starting point for further research of this category at other historical sections.
Representation of masculinity in Russian paremiological discourse
The paper examines the concept of "masculinity", actualized in paroemias of the Russian language. Linguistic units representing the concept in question are highlighted; ethnogender signs supporting masculinity characteristics are described; its linguistic explication in Russian linguoculture is clarified; paremiological discourse is regarded as a sign system formed by specific verbal signs translating concept information. The study concludes that there are special ethnogender signs that actualize the masculinity category and point to the presence of multicultural functional codes that allow assessing the gender correlation of roles in society, activity, occupation, creativity, judgments of ancestors, history.
Expressive means in the informative-motivational form of a scientific text (based on the material from English scientific articles)
The paper examines the informative-motivational text containing highly professional knowledge and reporting the latest achievements of science. This is a text in which emotional coloring is woven into scientific knowledge. The analysis of English scientific articles made it possible to classify the most common syntactic stylistic means. Such means, as a rule, are accompanied by a change in word order, so fronting and inversion are considered the most common means. There is emphatization without changing the word order, for example, by repeating a lex-eme. Other ways to enhance the meaning include negative emphatic constructions, the use of an auxiliary verb before the infinitive without violating the direct word order, the use of an emphatic structure with the word “very”. The material of this research is relevant in the study of stylistic and pragmatic features of other types of scientific text.
Issues of pragmatic adaptation in translation practice
The paper deals with the extralinguistic features of the foreign language text, the actual topic of intercultural communicative competence for solving translation problems in general. An analytical review of English-language material through the lexical-semantic method makes it possible to determine semantic and pragmatic factors and parameters that affect the adequacy of translation, in particular, the inclusion of additional elements or the exclusion of redundant elements in the text. Linguistic analysis of English-language journalism is of practical value. Stu-dents, having acquired the skills of pragmatic adaptation of translation of texts with national specifics, have a clear idea of new trends in the language space as a whole. The results of the work can be used in the practice of teaching foreign languages, cultural studies and a lecture course on the theory and practice of translation.
Color vocabulary as a fragment of the linguistic world image (based on the material of German and Adyghe languages)
An attempt is undertaken to study the significance of color in German and Adyghe lan-guages. Since the real world is reflected in color in the human mind, the study of this problem in structurally various languages is relevant and allows us, on the one hand, to find general, universal patterns of building these language units, and, on the other hand, to state the wealth of possibilities for reflecting the same realities in other languages. The authors define color image as a value fragment of the linguistic world image. The research shows that all names of color are formed according to the principle of distribution of hue colors around the main ones, depending on the meaning and stylistic possibilities. The comparative analysis of the material of the lan-guages in question demonstrates not only the wealth of lexemes - color naming, but also the wide grammatical and stylistic possibilities of their functioning. These languages reflect the features of the representation of color perception in the German and Adyghe national world images.
The problems of academic literacy and global scientific communication of Russian and Chinese scientists
The paper is devoted to the study of modern problems of scientific interaction between Russian and Chinese scientists. The main components of academic literacy are revealed, which have a decisive impact on the effectiveness of international scientific communication. The current situation in the field of global scientific communication between the Russian Federation and the PRC is analyzed. The events organized at the state level in the Russian Federation and the PRC in the framework of the popularization of scientific and academic cooperation between scientists are characterized. The problems of the development of digital literacy of scientists from Russia and China are considered: the large digital divide between the two countries; differences in the development of the blog-sphere in the provision of scientific data, etc. The prospects for further research and development in relation to solving the problems of global scientific communication between Russian and Chinese scientists are determined.
Dynamics of the basic value Vertrauen «trust» in German linguistic culture
The object of the study is one of the basic values of the German linguistic culture - the value of Vertrauen “trust”. The subject is the content dynamics of the basic value of Vertrauen “trust”. The purpose of the study is to establish such meaningful shifts. The author believes that the dynamics of values can be represented in the language, in which case it can be established using specific verbal diagnostics, which is based on a comparison of the data of the associative experiment of different years. Therefore, the method of free associative experiment is used as the main research method. As a result, 2019 data are compared with 2021 data. The scientific significance of the work lies in the possibility of experimentally establishing the content and dynamics of the basic value. The results obtained showed a significant dynamic of the basic value of Ver-trauen “trust”, which manifests itself in a decrease in the reactions-representations associated with the understanding of trust as a value and trust as the basis of human relations. The practical value of the study lies in the possibility of using the developed methodology for studying the dynamics of values in the university teaching of psycholinguistics, ethnopsycholinguistics, intercultural communication, cultural linguistics, etc.
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