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The Bulletin of the Adyghe State University, the series "Philology and the Arts" |
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#2 / 2023FolkloristikBessonova L.P., Ashinova Yu.A.The originality of being a skomoroch as the art of laughter in Russian folklore
The article aimed to study the work of skomorochs (minstrels) and their influence on the lifestyle of the people in Russia. The relevance of the study lies in the expansion of literary and historical knowledge of being a skomoroch in order to understand the history of culture of laughter. The study analyzes the folklore (works of calendar and ritual poetry, skomorochs, epics, fairy tales) and identifies the monuments of ancient Russian literature, in which one can see the attitude of the people and the authorities to skomorochs at various stages of history. The significance of their creative activity in the public life of the people, as well as in the choice of moral principles, is determined. It is traced how the attitude of representatives of the ruling class and the church to skomorochs changed, which led to the appearance of new forms in folklore: spectacular theatrical performances. Their peculiarities are shown on the example of the folk drama "The Imaginary Gentleman".
THE THEORY OF LITERATUREPanesh U.M.Multinational unity as a factor in the formation and development of Russian literature of the XX century
The article examines multinational unity as an important factor in the formation and de-velopment of national literature of the XX century. The socio-historical origins, theoretical roots of the literary process are indicated, the evolution of the national Russian self-consciousness is traced, as well as various forms of national communities that have become the basis for the for-mation of a single ideological and aesthetic space. Relying on the principle of historicism makes it possible to actualize the problem of the originality of the national literary era, which has become an integral part of the world culture. The work provides an opportunity for an unbiased and scientifically based rethinking of methodologically important theoretical issues of modern literary criticism.
RUSSIAN LITERATURE AND THE LITERATURE OF THE ETHNIC GROUPS OF THE RUSSIAN FEDERATIONBakov Kh.I.The topic of war in the work of Adyghe front-line poets and writers (features of style and poetics)
The article examines the work of Kabardian, Circassian, Adyghe poets and front-line writ-ers who made a significant contribution to the development and coverage of the theme of the Great Patriotic War. The texts of the works of a few authors who have developed their own style and their vision of the world are subjected to aesthetic analysis. Their work is considered in the context of the general Adyghe literary process. The study mainly used the comparative-historical method. The materials of the author's own observations and publications of various scientists, in one way or another related to this topic within the framework of the Adyghe literary process, are involved. The main objects of the research are poetic works, as poetry, especially lyric poetry, be-comes the most relevant during wars and other social upheavals, in times when the style under-goes changes. Consideration of the topic of war led to some generalizations that are typical of all the literatures of the region as a whole.
Istanbul - the city of Joseph Brodsky and Orhan Pamuk: lyrics of romanticism and postmodernism
The article deals with the works of two world famous authors: Joseph Brodsky and Orkhan Pamuk. The study investigates the meeting points of their autobiography and fiction. The authors address the topic related to the typical of the last decades “biographical boom” and the passion for memoirs. The analysis done in the study expands the scope of understanding a biography by searching for its new forms and examples. They are associated primarily with the post-modernist paradigm represented by the works of Michel Foucault, Julia Kristeva and Roland Barthes.
THEORETICAL, APPLIED AND COMPARATIVE AND CONTRASTIVE LINGUISTICSAbregov A.N., Tikhonova A.P.Thematic group of words with a semantic component "place" in the lexical system of the Hattian and Abkhaz-Adyghe languages: semantic, typological and word-formation aspects
The lexical material of the thematic group with the semantic component "place" in the Hattian and Abkhaz-Adyghe languages is considered and the semantic and structural-word-formation analysis of words belonging to this group is given. The novelty lies in the fact that the range of this vocabulary has not yet been studied in semantic, typological and word-formation terms. Comparative and comparative-historical methods are used in the work. The theoretical significance lies in the fact that the results of the study will make it possible to comprehend the semantic-word-formation structure of a certain thematic group in the Hattian and Abkhaz-Adyghe languages and will serve as a contribution to the Abkhaz-Adyghe linguistics.
Verbalization of the concept of “teacher” in French and Russian linguistic cultures
The article compares the verbalization of the concept of “teacher” in French and Russian linguistic cultures. The author gives definition to the term “concept” and traces the development of the concept theory within the framework of linguoculturology. The basic concepts of the concept theory are given. The author describes the concept of "teacher" in Russian and French linguistic cultures and then compares the representation of this concept in two linguistic cultures. The main dictionary definitions of the main speech units representing the concept are given. The author describes set phrases in French, in which the concept of “teacher” is implemented. The author finds and compares French and Russian sayings that reveal the attitude of the two peoples to the teacher's work.
Symbol as an artistic detail of the image of Jean Valjean in Victor Hugo's novel “Les Miserables”
The article analyzes the fate of the protagonist of the epic novel "Les Misérables" published in 1862. It is noted that in this novel there are many symbols that reveal the problems of the society of this period, attention is paid to their linguistic presentation. The paper analyzes transformation of the personality of the protagonist of the work - Jean Valjean. The article explores the vocabulary associated with the theme of light and darkness, which is used to describe progress from social underdevelopment to a progressive society.
The concept of triplicity in Diana Setterfield's novel "While the River Flows"
The article examines the techniques of threefold repetition in Diana Setterfield's novel "While the River Flows", manifested at the character, plot and figurative level. Triplicity is considered in the article as a general concept that includes such concepts as trinity, triad, triplicity and threefold. The principle of trinity and threefold repetition are connected with the genre fea-tures of the novel, which appear in the mythologism of the narrative. The symbolism of number three plays an important role in the formation of the artistic space of the work, as it is associated with the traditions of Christianity, fairy tales and myth.
Translingualism in the Chechen linguistic space (on the novel by K.Kh. Ibragimov "The Gray Caucasus")
The article deals with the representation of the translinguality of the individual author's linguistic consciousness of the cognitive-semantic markers of the text as well as the cod-ing/decoding of information that translates the national axiology of the Chechen ethnos. For the first time in Chechen linguistics, the research problems of the individual-author's linguistic consciousness of translingua, the mechanisms and pragmastylistic function of code switching, the linguocognitive and linguocultural potential of Chechen axiology intermediaries which provide intercultural communication and dialogue of cultures in the text space of K. Ibragimov's novel are considered. The author summarizes the information explicating national and cultural markers, which makes it possible to reveal the deep meanings of the sociolinguistic and psycholinguistic approaches when switching the code in the text of the translingual author. It is noted that the presence of two language codes in the writer's mind is reflected in the lexical-semantic level of the text.
Linguistic methods of analysis of artistic discourse
The article aimed to describe artistic discourse and linguistic methods of its analysis. For many years, discourse analysis has been less an explicit "theory" than a practical and empirical approach to support fieldwork on relatively obscure languages and cultures. One area of early work that attracted attention in general and humanistic circles was the intercultural study of stories and narratives. Later, the main problems included the discourse of teaching and education, with a sociological bias, as well as the organization of conversation. Discourse is a term widely used in the humanities. Its study involves an analysis of the functioning of the language and the processes associated with it. Discourse finds its application in such fields as linguistics, literary studies, semiotics, sociology, philosophy, ethnology and anthropology.
Cognitive-semiotic derivation of technical terms as a mechanism for the development of the terminological cluster “Engineering and technology”
This article deals with the problem of derivation as a mega-system constantly developing in progressive direction. The author pays particular attention to the analysis of the principle of the priority of semiosis as a sign process, which has a conceptual character, lying as the basis of terminological derivation of the language of science. The author highlights and describes the characteristic features of species diversity of linguistic components forming the derivation system, both semiotic and semantic, and structural and functional in the continuity of scientific cognition. The article pays considerable attention to the problem of derivation as a conceptual system of con-struction and evolution of modern scientific terminology. Cognitive-semiotic approach is used. The article compares derivation of Russian technical terms and derivation of English terms.
Creativity of the linguistic personality of a columnist in the media dis-course (based on the Russian and German languages)
The article aims to study linguocreative means of updating the author's position in the dis-course of author`s columns. The author identifies and analyzes markers of the creativity of a columnist`s linguistic personality in the media discourse such as metaphor, language game, phraseological units and use of precedent texts. The cognitive basics of generating the creativity of a columnist's linguistic personality in the media discourse are studied as means of indirect impact on the audience. Linguistic creativity in the media discourse is considered as a mechanism of indirect influence on the masses.
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