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The Bulletin of the Adyghe State University, the series "Philology and the Arts" |
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#4 / 2023ReviewsKuyok M.G.«Cultural traditions and art education» a collection of scientific works / edi-tors: A. N. Sokolova, M. Sh. Abdulaeva. – Maikop; Makhachkala: ASU, 2023. – Iss. 2. – 130 p.
THE THEORY OF LITERATUREAkhmetova D.A.Genre of the novel in Adyghe literature of the late 20th - early 21st centuries
The article aims to study Adyghe novelistic literature of the late 20th – early 21st centuries, its important issues, main directions, and most interesting features. It examines an important stage in the history of the national novel, the scientific synthesis of the experience of Adyghe writers in this field of literature. The characteristic features and trends of the contemporary Ady-ghe novel are revealed, as well as the influence of time and social, moral, and aesthetic problems. The novels of the 1990s and the beginning of the 21st century are characterized by the democratization and humanism of artistic creativity, the acceleration of transformative processes reflecting the change in ideological orientations and reassessment of established artistic values. The authors' bold innovation, the diversity of stylistic solutions in the novel combining elements of different artistic systems (realism, modernism, postmodernism), and the creation of new modifications of epic genres (mythoepic, polyfunctional, philosophical novel in the realm of magical realism) are noted.
Reflection of the evolution of enlightenment in the writer’s work (based on the material of Adyghe literature of the 20-30s of the XX century)
This research examines the evolution of educational ideas during the era of revolutionary transformations in the Russian cultural space during the 20-30s of the XX century. Specifically, the focus is on the reflection of the formation of a new model of Enlightenment in the early prose works of Adyghe, Kabardian, and Circassian literature. By analyzing the artistic features of journalism and short prose, this study aims to uncover the typological characteristics of the multinational literature during its initial stages.
Genre typology and artistic specificity of Adyghe historical and revolutionary prose of the XX century
This article explores the genre-typological features and artistic specificity of Adyghe historical and revolutionary prose of the XX century. Through an examination of the works of prom-inent Adyghe writers such as I. Tsey, T. Kerashev, A. Evtykh, Yu. Tlyusten, D. Kostanov, I. Mashbash, Kh. Ashinov, and N. Kuyok, a comprehensive historical and literary analysis is conducted. This analysis provides a holistic understanding of the genre and artistic development of national historical-revolutionary prose, tracing its inception and the formation of genres, and fol-lowing its development and evolution until the mid-1920s and the post-Soviet period.
RUSSIAN LITERATURE AND THE LITERATURE OF THE ETHNIC GROUPS OF THE RUSSIAN FEDERATIONMu JiaweiDeath as a sign system - seeking eternity by Boris Pasternak in “Doctor Zhivago”
The article is devoted to the analysis of the sign system of death in the novel “Doctor Zhivago”. The binary system between “life” and “death” is a common genre in literature, but B. Pasternak does not intend to emphasize the conflict between them, he is not attached to the tran-sience of life. This work is a record of the author's reflections on life and his seeking for eternity. The article is based on Yu. Lotman's theory of cultural semiotics, using the semiosphere theory to analyze and study this novel. The sign system of “death” is represented by such symbols as grave, funeral, people's attitude to death, disease, coma, war and so on. The fact that the profession of Yu. Zhivago as a doctor lies on the border between the semiospheres of death and life, is a meta-phor for just such a theme of the novel. The author finds two ways of escape from death - materi-al and spiritual: material - with reliance on the continuation of life in the next generation to achieve the immortality of mankind; and spiritual - with the help of art to bring life to eternity. The novelty of this article lies in the use of semiosphere theory in analyzing the sign system of death and the theme of seeking eternity.
Metamodernist text of the story by A. and I. Shaov “Patient No. 132, or Live here and now”
This paper delves into the realm of metamodernism, focusing on the analysis of a meta-modernist text. By employing the captivating story by Asfar and Ibrahim Shaov, this study un-covers and analyzes the fundamental principles of narrative construction that give rise to the metamodernist discourse within the work. These principles encompass the model of the world, the artistic conceptualization of personality, and the author's strategic choices.
On the uniqueness of Asker Evtykh’s author’s style
This study examines the details of the development of a renowned bilingual author Asker Evtykh's distinctive writing style. Drawing from the analysis of notable works such as "The Street in Its Entire Length," "A Sip of Spring Water," and "Barge", the study uncovers the artist's pro-found linguistic self-awareness, which significantly shapes the genre and structural potency of the author's discourse. By deriving insights from this comprehensive analysis, we are able to address and resolve fundamental inquiries associated with the nature of bilingual creativity.
THEORETICAL, APPLIED AND COMPARATIVE AND CONTRASTIVE LINGUISTICSAlmohammadagha Kh.A.F.Features of updating the components-zoonyms "camel" and "lion" in the phraseology of the Arabic and Russian languages
The article examines the problem of animalistic phraseological units based on the material of Arabic and Russian languages. Phraseological units with components-zoonyms make up a sig-nificant part of the phraseological picture of the world of any national community with a specific linguistic and conceptual picture of the world. The relevance of the work is determined by the need to study the specifics of the implementation of individual animalisms ("camel", "lion") in Arabic and Russian. The study uses a comparative method that helps to identify common and special characteristics of the studied zoonyms as part of phraseological units. As a result of the comparison of phraseological units, a limited number of common meanings in Arabic and Russian have been established. The frequency of the zoonyms "camel" and "lion" in the Arabic language determines not only the differentiation of the meanings of the components in the phraseological units of the Arabic language, but also their ambivalence. Based on the large corpus of phraseological units with components-zoonyms in Arabic and Russian, comparative research in this perspective has an interesting perspective in the direction of studying the problems of intercultural com-munication and translation.
Euphemization and disphemization in modern media discourse (based on French language)
The article aims to study the impact of potential of euphemisms and dysphemisms in verbal transmission of events in mass media. A detailed analysis of euphemisms and dysphemisms in modern French media discourse is presented, and their main functions are revealed. The process of euphemization and disphemization in media discourse is considered as one of the ways of expressing assessment. Euphemisms and dysphemisms are the most effective means of manipulative influence on the consciousness of the mass addressee in media discourse.
The concept of «Traum» in the German artistic worldview (based on the poems of J.W. Goethe)
This article reviews the linguistic and cultural features of the concept «Traum» in the German artistic worldview. The main material for the analysis is represented with the works of the outstanding German poet J.W. Goethe. The aim of the research is to determine by means of cognitive analysis the main features of the concept «Traum» in the individual worldview of J.W. Goethe and its influence on the formation of the German linguistic worldview. The scientific novelty of the work lies in the approach to the study of J. W. Goethe poems by means of the in-dividual worldview and its contribution to the German common worldview. The results obtained allow us to conclude that the concept «Traum» along with such concepts as «Freiheit», «Liebe», «Schönheit», «Wahrheit», «Sicherheit», «Ordnung», «Kraft», «Wille», belongs to the basic con-cepts of the German linguoculture.
Linguocultural and cognitive characteristics of colour concepts in French and Russian languages
The article is devoted to the problem of studying colour concepts in languages of different systems. Specifically, it focuses on the examination of the principal chromatic and achromatic colours within the French and Russian languages, as they serve as the foundation for the development of secondary meanings that possess figurative connotations. It is noted that the actualization of colour meaning is influenced by a combination of linguistic and extralinguistic factors. Methods of conceptualizing colour designations, which are an integral part of the linguistic picture of the world, have been studied. It has been established that in the French and Russian languages the spectrum of colour terms is the same, but at the same time there are significant differ-ences in the perception of colour space among speakers of these languages.
Translingual author: ethnospecific “inclusions” in the text (based on the story by H. Tlif “Son of the Mountains”)
The article aims to explore the communicative and artistic means of presenting the national values in the Russian-speaking linguocultural context, within the sociocultural setting of Adyghe-Russian bilingualism. This bilingualism serves as an intercultural mediator, conveying the individual author's perception of the writer as well as the cognitive-semantic markers of national values. The text analyzes and describes the ethnospecific markers of Adyghe values within the writings of H. Tlif, thereby affirming the anthropocentric approach in the study of translingualism. The central idea argued in the article is that linguistic units are utilized to depict and convey the Adyghe ethnic group's readiness for intercultural dialogue in a multilingual society, thereby presenting the distinct mentality, communicative behavior, and mythology of the Adyghe people to readers in the North Caucasus and the Russian Federation.
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