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The Bulletin of the Adyghe State University, the series "Philology and the Arts" |
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#3 / 2024THE THEORY OF LITERATUREAkhmetova Ju.A.TRANSFORMATION OF THE GENRE OF NOVEL IN ADYGHE LITERATURE OF THE END OF XX CENTURY (BASED ON THE NOVEL "BULL'S BLOOD" BY A. EVTYKH)
The article examines the genre and stylistic transformations of the novel in modern Adyghe literature. A review of the theoretical works of Adyghe researchers is conducted, focusing on the examination of fundamental characteristics of the novel genre and the development of terminological apparatus for analyzing modern literary phenomena. The study aims to give an overview of the precedent texts of modern Adyghe literature of the late 20th century, which demonstrates the synthesis of mythological and literary types of artistic consciousness, naturally leading to the structural and stylistic transformations of the novel genre. Based on the novel "Bull's Blood" (1993) by A. Evtykh, the study examines innovative features of the Adyghe novel prose of the late 20th century, expressed in the strengthening of its philosophical content.
THE GENRE ORIGINALITY OF N.V. GOGOL'S POEM "DEAD SOULS"
The article analyzes the genre originality of N.V. Gogol's poem "Dead Souls". The research investigates both the author's original intent and the historical context of genre attribution by Gogol and his contemporaries. Through the lens of contemporary literary theory, this analysis systematically categorizes the epic and lyrical components present in the work, thereby validating Gogol's unconventional genre designation. The specificity of the genre of "Dead Souls" is also determined in the composition and in the character of Chichikov. It is revealed that the compositional originality of Gogol's poem "Dead Souls" is determined by the internal connection of the system of images and lyrical digressions. The authors note that the epic element of "Dead Souls" is associated with the broad coverage of social reality and the image of Chichikov, and the poetic language of the text (saturation with artistic means of expression: metaphors, epithets, figurative comparisons) and the presence of lyrical digressions constitute the lyrical element of the poem.
RUSSIAN LITERATURE AND THE LITERATURE OF THE ETHNIC GROUPS OF THE RUSSIAN FEDERATIONBessonova L.P., Khatkova I.N."THE CAPTAIN'S DAUGHTER" BY A.S. PUSHKIN AS A NEW TYPE OF HISTORICAL NOVEL
The article analyzes the genre originality of the novel "The Captain's Daughter" by A.S. Pushkin. The study considers the writer's intention and the history of the genre definition by Pushkin himself and modern literary scholars. The article classifies the features of the historical novel in the work, which allowed to substantiate the legitimacy of the considered genre form. The specificity of the genre of "The Captain's Daughter" is determined by such factors as the historical basis, the important role of historical figures in the plot, a detailed description of the environment and life of that time, etc. It is revealed that the combination of historical authenticity and artistic fiction determines a deep understanding of the historical context of Russia of the 18th century.
MORAL AND ETHICAL PROBLEMS IN THE NOVEL BY V. MAKANIN "ASAN"
The article analyzes the moral and ethical problems of the novel "Asan" by V. Makanin, systematizes the key themes and motifs of the work, and considers allusions to Russian classics. The position of V. Makanin, who opposes the war that destroys the human personality, is substantiated. The study reveals moral and ethical problems in the novel through the display of transformations occurring in the soul of the main character, Major Zhilin, who is under the influence of the inhumane cruelty of the war in which he participates. The depiction of war in the novel "Asan" is considered as an absurdist action, which is reflected through the text - the free use of reduced and vulgar vocabulary, techniques of stream of consciousness and montage, illogical development of the narrative, etc. It is noted that the author does not aim to show the military events, but uses them as a background for revealing the main theme.
THE CAUCASIAN WORLD IN THE WORKS OF M.YU. LERMONTOV
The article examines the key aspects of the depiction of the Caucasus in the works of M. Yu. Lermontov, the interaction between the Russian and Caucasian worlds. The poet's works reflecting the broad cultural and historical processes that took place in Russia in the 19th century are analyzed. It is emphasized that the poet himself forms the image of the Caucasian world, being not just an observer, but an active participant in the complex cultural dialogue between the Russian and Caucasian peoples. The cultural and historical conditionality of his system of images and ideas is shown. The worldview ideas of the Caucasian world in Lermontov's work are revealed.
IDEOLOGICAL AND AESTHETIC SEARCHES OF RUSSIAN PROSE OF THE 60S-70S OF XX CENTURY AND THE DEVELOPMENT OF THE GENRE OF NOVEL IN THE WORKS OF A. EVTYKH
The study examines the strengthening of the problem-based nature and the deepening of the concept of personality in Russian prose of the 1960s-1970s, which determined the evolution of the novel genre. In this context, the development of the ideological and aesthetic views of A. Evtykh, which is reflected in his works on contemporary themes "The Street in Its Full Length", "The Doors Are Wide Open", is considered. The features of the writer's social and psychological novel, synthesizing different structural and stylistic tendencies, are characterized, and the role and significance of the main prose genre in the formation of the literary process, which influenced the features of the literary era of the 20th century, are determined.
EPIC FEATURES IN THE POETRY OF NURBIY BAGOV
The article examines the themes and problems of Nurbiy Bagov's poetic works, the epic features of his work related to the 1960s-1980s. The study investigates the foundational elements of his creative expression, analyzing the intricate interplay between Adyghe folklore traditions and Russian classical literary influences. The stages of Bagov's artistic creativity are highlighted: the first – the 1960s; the second – the 1980s and their features. The poetic works of the first stage are devoted to nature, the Motherland, labor, the poet seeks to show the lyrical experiences of the heroes, the epic comprehension of the facts of life. The second stage is the mature period of creativity, the range of topics expands, there are more works with an epic component, new stylistic techniques, the literary genre of the lyric-epic poem is formed in his work. Special attention is paid to the issues of the poet's skill in the works of the 1970s-1980s, the analysis of expressive and imaginative means.
THEORETICAL, APPLIED AND COMPARATIVE AND CONTRASTIVE LINGUISTICSBagirokov K.Z., Makerova S.R.COGNITIVE RESOURCE OF BILINGUALISM IN THE STRUCTURE OF THE DOMAINS OF ETHNIC CONCEPTOSPHERE
The paper analyzes cognitive and mental basis of ethno-identity in the individual author's linguistic consciousness (IALC) of a writer who transmits coded implicit and explicit linguocultural meanings in communicative-discursive practices (CDP) within the sociocultural context of Adyghe-Russian bilingualism. The analysis of mental space domains (MSD) reveals the sectoral structure of ethnic conceptosphere and presents the sociocognitive potential of IALC bilingualism, enabling the transmission of national axiology to foreign language readers.
LEXICAL AND SEMANTIC CHARACTERISTICS OF POETRY-SLAM TEXTS (BASED ON THE GERMAN SLAM-TEXTS OF THE TURN OF XX-XXI CENTURIES)
The article focuses on the lexical and semantic analysis of poetry-slam texts based on the slam texts at the turn of XX-XXI centuries. The features of each of the two stages of the frequency analysis of the poetry-slam texts vocabulary are highlighted. This analysis results in a list of six keywords. “Keywords” are understood as a set of cultural values and attitudes. The author examines how each of the keywords is semanticised in these texts. The term “semantisation” refers to the increment and actualization of meanings. The study underlines the negative themes of the poetry slam texts, which reflect the mood of the turn-of-the-century era in German linguistic culture. Attention is drawn to some positive motifs presented in slam texts.
DIFFERENCES IN THE INDICES OF AGGRESSIVENESS IN THE MEDIA SPACE OF EAST AND WEST: THE PARAVERBAL ASPECT OF EMOTIVE PERCEPTION
The authors consider the differences in the perception of aggression in the ethnolinguocultural traditions of Russia and China, which can cause dissonance in the recipient's distorted perception of media discourse not only because of the difference in interpretations of the phenomenon of conflict, but also because of the phonemic features of different structured languages. Phonemic features make it possible to identify paraverbal aggression indices in the media space, revealing an upward trend in the context of a linguistic information war of a hybrid type. The priority of communication activity in digital format predetermined the leading positions of the polycode presentation of information, as a result of which discriminatory behavior began to manifest itself in the polycode format, with audio and video presentations. The aggressology claimed by the authors considers the implementation of aggression at the verbal, auditory (paraverbal) and non-verbal hypertext polycode levels, respectively. Consideration of the paraverbal phonosemantic characteristics of aggression is associated with the recognition of aggression in speech, which is an important point for determining the boundaries of aggression.
ETHNIC SUBSTRATUM IN THE COMMUNICATIVE AND DISCURSIVE PRACTICES OF A BILINGUAL AUTHOR
The article analyzes the ethnospecific "inclusions" (ESI) of the individual author's linguistic consciousness (IALS) of the bilingual author A. A. Khagurov, who translates the autobiographical parameters of linguistic consciousness in communicative discursive practices (CDP), presenting the sociocognitive competencies of the bilingual author in the multilingual situation of the Krasnodar region, focusing on the sociolinguistic aspect of the contact national-Russian (one-sided//two-sided) communicative-bilingual activity of the author. The article presents the value orientations of the national axiology, translating the bilingualism of the IALC, influencing at the "deep" level of consciousness its communicative and discursive practices (CDP) and pragmalinguistic functions of code switching, characterizing the ethnoidentity of the writer. The authors analyze the ESI of the linguistic space in the CDP of the bilingual author, which are the cognitive base of the mental parameters of the ethnos.
FEATURES OF TRANSLATION OF METALLURGY TERMS FROM ENGLISH INTO RUSSIAN
The article considers the features of translation of metallurgy terms from English into Russian. A comparative analysis has been conducted examining English and Russian scientific and technical texts, with particular emphasis on the frequency distribution of metallurgical industry terminology. The relevance of the study is determined by the particular difficulty in translating such texts due to the specifics of the terminology system of this translation sublanguage. The conclusion is made about the possibility of variability of terms while translating these texts into Russian.
THE SPECIFICS OF USING YOUTH SLANG IN BRITISH AND AMERICAN ENGLISH
The article examines the peculiarities of slang vocabulary use in the speech of British and American youth, and provides a comparative analysis of slang units in two variants of the English language. It substantiates the idea that the formation and functioning of youth slang are conditioned by the presence of social problems and the desire of youth for self-expression. Particular attention is paid to those areas where the use of slang units by students and schoolchildren in Great Britain and the USA is most frequent. The authors attempt to thematically classify non-standard lexical units. The advisability of identifying the most common slang units in the speech of British and American youth as a means of representing linguistic knowledge is determined. As a result of the comparison, similar and distinctive characteristics of slang in British and American English are highlighted.
FUNCTIONING FEATURES OF ANGLICISMS IN LITERARY DISCOURSE (BASED ON G. MUSSO'S NOVEL "L'APPEL DE L'ANGE" - "CALL FROM AN ANGEL")
The paper examines the functioning features of English borrowings in the novel of contemporary French writer G. Musso "Call from an Angel," addressing theoretical issues of literary discourse comprehension and providing its definition. It is noted that in literary discourse, influenced by artistic context, lexical units can acquire original meanings that may transform according to the main narrative theme and author's intent. Two groups of Anglicisms are identified: borrowings with high assimilation in French, and those with zero adaptation. It is established that Anglicisms of the first group in the analyzed literary text are used in nominative-neutral function, while those of the second group –in the expressive and pragmatic one.
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